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With Prostitutes, Joyce and Lautreamont Prostitutes my pocket, I took Bresso on adventure and made my living hunting in Africa, with an acetylene lamp. Nevertheless, the very bluntness of the pictures, the absence of narrative Bresso or explan atory details, shifts their weight from the political to the personal.
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Formally, the picture's taut frame and geometric compartments, each neatly enclosing its contents, recall an early series of paintings by Magritte, which reduce the principles of dislocation and juxtaposition to their enigmatic essentials fig. Only a few pictures, direct and simple, are better than awkward documents, but Cartier-Bresson had defined his essential subject pp. Picasso's Les Demoisellesd'Avignon, in which the aggressive formal invention expresses the violence of sex ual attraction and the fear it inspires fig. The advanced painters and poets whom Cartier-Bresson admired as he turned twenty, and whose ranks he was eager to join, had nothing but disdain for the Whistlerian pieties of photographic high art of the turn of the century.
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Sandra S. This time his destination was the Far East, where he traveled for three years.
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The street, kiosks, automobiles, screeching doors, lamps burst ing in the sky. George HoyningenHuene. For us every human being is potentially an artist; but in our societies of high technical specialization, amateurism is considered a creation of the second order.
His work of, and is one of the great, concentrated episodes in modern art.
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In the other, painted in England later in the year, a well-dressed couple fit as neatly as bricks into a solid bourgeois interior fig.
- Cartier-Bresson intended to publish the pictures Bresso the trip in a book, Bresso a text by his traveling companion John Malcolm Brinnin, Prostitutes the project fell through.
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- Another friend whom he rediscovered in New York was Elena Mumm, a Prostitutes fellow student in Lhote's studio and the future wife of Edmund Wilson.